The performer even went to pains to point out just how grim the earlier song “Graveyard” really is, lest anyone be fooled by what she called its beauty. Whether Halsey could deliver on the promise of a feel-better-than-a-Lakers-game show might have been in question, given the dark nature of the recent Trent Reznor/Atticus Ross-produced album, and not a few Halsey songs before it. Halsey performs at Arena during the Super Bowl Music Fest Chris Willman/Variety
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He is coming down to the wire to change it yet again, for, as he aggressively reminded the audience, “It’s coming out March 25, you fucks,” while a bar code appeared on the big screens so fans could immediately pre-order it on their phones. It may have been Barker sitting in on drums for a couple of numbers that drew the most thunderous response of the night, though, and it certainly accounted for the most comical moment, when Machine Gun Kelly asked him: “Hey, Travis, remember when we got the wrong tattoo?” Fans are, of course, well aware that the two comrades had a former title for MGK’s upcoming Barker-produced album emblazoned on their bodies before Kelly had a change of heart. “This song isn’t ours, but goddam, I love to sing it,” he said by way of introduction to Paramore’s “Misery Business.” Later, it was the Kid Laroi’s “F- You Goodbye.” Trippie Redd joined for “All I Know” and Candy,” Halsey made her supporting appearance of the night with “Forget Me Too,” and Willow starred in the title role of “Emo Girl.” Christopher Polk for VarietyĪ couple of covers turned up in MGK’s set as well. Halsey at Bud Light Super Bowl LVI Music Fest held at Arena on Februin Los Angeles, California. (Halsey frequently referred to the experience of motherhood, bending over frontward to glare at the genital area and wonder aloud how that came out of that.) MGK made a non-dribbling trip around the arena floor, and Halsey literally bent over backward on a couple of occasions, showing that the singer hadn’t lost too many yoga steps while taking a time-out to have a baby last year. With two nights left to go in the Super Bowl Music Fest, it remains to be seen whether a triple dose of pop double-headers will quite make up for averted championships, but Halsey and co-headliner Machine Gun Kelly couldn’t be faulted for taking anything less than an athletic approach to their performances. “I know it’s football time, but I’ve gotta say something,” Halsey said, finally adding after a pause: “Go, Lakers.” She explained herself: “I was getting ready for the show tonight and I was like, something good has to happen here. What are you waiting for? Check that out here and watch the video below.On the opening night of the Bud Light Super Bowl Music Fest Thursday night, Halsey - doing her first concert in two years - was even more mindful in her remarks of what else happens in the host venue, Arena (formerly Staples Center), than what might be going down across town at SoFi Stadium this weekend. There is also a companion long-form audio documentary of the same name, available only on Amazon Music and available to Prime members, which is a deeper dive with longer interviews. The producers and Coker also talk about the album’s deft balance of hard, hard street tracks and sweeter songs like “Juicy” and “Big Poppa,” as well as the true meaning behind its ominous title, “Ready to Die.”
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(Also in celebration of the album’s 25th anniversary, Rhino and are releasing a limited-edition boxed set that features every album track – plus two bonus tracks, “Who Shot Ya”?” and “Just Playing (Dreams)” – on nine 7” colored-vinyl singles.) I’m really ready to sign you for some big money.’ Came down, let’s sign me, let’s put me to work.” “He was like, ‘Yo Money, this is a serious thing. “When Puff heard me, he got me to the office,” Big says in the doc. Puff Daddy), which led to his record deal with Bad Boy, and the recording of the classic album that made his reputation as one of the greatest rappers of all time. Similar to the way the Beastie Boys doc focused on the group’s five-year creative peak, this one zooms in on the period between when Big was transitioning from underground buzz to being discovered by Diddy (a.k.a.
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